intervention


interventions

 

The urgency of tactical interventions in the psychological and social structure of the
city becomes quite apparent in the case of most neo-liberal cities. Vacant apartments and deteriorated façades are only superficial symptoms. The real problems are a lack of motivation, inequlality, sexism, racism, homophobia and the hopelessness, sadness, and psychological deterioration that follows.
The complex process of socio-cultural transformation in western cities and regions
calls out for a new form of creative intervention. These interventions have to affect the emotional conditions of the people living their and not only the built environment. It is crucial to intervene in the ‘emotional discourses’, and to start a dialogue with the view to shift the status quo. 

The photos below document a small selection of interventions that Johnny and Lee conceived and performed together, alone and with a small army of wonderful nomadic queers. 

 

8x8x8 (2008) 

(Lee Ingleton and Johnny Pavlatos) 

8x8x8 was a intervention into a public park whereby a tannoy speaker was placed in a tree and with the help of an fm transmitter and battery pack transmitted the inner workings of a restaurant kitchen to the tannoy speaker and to the park. This intervention aimed to highlight gender issues, race issues, labour issues, pay issues and employment issues in hospitality work (of which we both spent many years working in).

ROCKUMENTA! (2018) 

(Johnny Pavlatos & LGBTQIA+ Refugees Welcome in Greece Group)

ROCKUMENTA! was an intyervention where we, as an LGBTQIA+ refugee support group in Athens Greece in 2017, planned and stole and held for ransom Roger Bernat’s sculptural replica of an ancient monolith. 

It was an act of protest against EU REFUGEE LAWS and the petty offer of $100 from Roger when he came to our group looking for credibility for his Documenta14 project. We decided as a group to rock-nap Roger Bernat’s sculptural replica of an ancient monolith and ask for a ransom, akin to the old heist movies, (complete with kidnap ransom message cutout of newspaper font). The ransom asked for the same rights the rock and the artsist – Roger – have for all LGBTQIA+ refugees. After performing a ritual Queer Greek performance / dance around the rock, we carried it to a hiding place and left Roger a ransom note at the Politechnio – ATHENS GREECE. 

The ransom note ( see image below),  Stated:

 “You have come to Greece to make art visible, graciously offering to purchase the participation of invisible exoticized ‘Others,’” the group wrote. “Your stone is supposed to give us a voice, to speak to our stories. But rocks can’t talk! We can! So we have stolen your stone and we will not give it back. And like the millions of others who are seeking better lives in Europe, your stone has disappeared.” The statement then offers tongue-in-cheek possibilities of where the artwork could be, each one highlighting the challenges asylum seekers face, from the bureaucratic to the humanitarian: the rock might be in a distant prison, languishing without papers; at the bottom of the Mediterranean; on a flight to Sweden, equipped with a fake passport; in a detention center, contemplating suicide. THE ROCK REMAINS WITH THE GROUP, BUT THANKFULLY SOME OF THE MEMBERS HAVE CROSSED BORDERS TO A BETTER LIFE ”.  

Link to essays on Between a Rock and a Hard Place by other artists and researchers

Between a Rock and a Hard Place: Performative Politics and Queer Migrant Activisms

Either You Get it Or You Don’t: A Conversation on LGBTQIA+ Refugees’s #Rockumenta Action

 

 

 

LANEWAYS (2008) 

(Lee Ingleton and Johnny Pavlatos) 

Laneways was an intervention devised to be performed in the public laneways of the city of Melbourne Australia. we asked: 

What if we use listening to resist normative participation in public spaces?

my notes from this intervention read : 

 Challenging the contested space, our listening strains to separate the what is from what was, a cacophony, a transgression, noise. Further down we focus on the profanations. Whatever relations were before, have now been overthrown, We are now in our own space, A hall of mirrors, listening to what is a reclaimed urbanity of half-forgotten relations. We emerge as oddities. Curiously inhabited by the place and inhabiting the place. Fingers, dry, wrinkled, cold and swollen strain to hold the dusty broken dislocated audio recorder. Instead of consigning what we hear to the teleology of the laneway, we become enveloped in the moment.

 

A SELECTION OF IMAGES FROM INTERVENTIONS – 8X8X8 – ROCKUMENTA! – LANEWAYS

8x8x8 intervention carlton melbourne australia

8x8x8 intervention carlton melbourne australia

8x8x8 intervention carlton melbourne australia

8x8x8 intervention carlton melbourne australia

rockumenta! athens greece

rockumenta! athens greece

rockumenta! athens greece

rockumenta! athens greece

rockumenta! athens greece

rockumenta! athens greece

rockumenta! athens greece

rockumenta! athens greece

rockumenta! athens greece

rockumenta! athens greece

rockumenta! athens greece

laneways intervention melbourne australia

laneways intervention melbourne australia