2017
2016
- LCMF Panel Chair - Pauline Oliveros, Morton Subotnic, Ellen Fullman | London UK
- Gender and Music Technology Debate | City University | London UK
- Aurality | Royal School of Speech & Drama | London UK
- Memory & Perception | Keynote Panel Presentation | TECHNE | London UK
2015
- SGFA | Royal College of Speech & Drama | London UK
- Feminist Composition as Social Event | Sound Acts | KET | Athens Greece
- PERLIN NOISE & NEWGenNow Cross Event | The White Building | London UK
- Gender and the Archive | University of Roehampton | London UK
2014
- Gender, Education, Creativity-Digital Music & Sound Art | NIME 2014 | UK
- Feminism, Live Art, and the Archive | LADA | Queen Mary University | London
- Curating Sound Art Practices | Goldsmiths University & Courtauld Institute | UK
- Travels Through the Her Noise Archive | Artes Mundai | Swansea | Wales | UK
2013
- Intimate Publics in the Her Noise Archive | FTM Conf | New York USA
- Paradoxical Publics | Vocal Folds: Her Noise Symposium | Museum of Contemporary Art | Oslo Norway
2012
- Temporal Drag of Reverse Karaoke: Automatic Music Tent | Extreme Rituals | Arnolfini Bristol UK
- Temporal Crossings: Reverse Karaoke: Automatic Music Tent | Supersonic Music Festival | Birmingham UK
- Sound Arts Practice vs. Sound Arts Research | Supersonix | Goethe Institute | London UK
- Her Noise: Identifying Feminist Strategies | SGFA | UAL | London UK
2011
- The Her Noise Archive: Transatlantic Dialogues in the 21st Century | Women and the Arts: Dialogues in Female Creativity in the U.S. and Beyond | University of Lisbon | Portugal